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"The challenges of visually documenting the hidden, and conveying the experience of 

separation, are not easy. Bartos succeeds in this endeavour.

 

 Her inside eye provides a nuanced picture of the practice of Christianity for the growing population of migrants in Qatar.

 

She represents the clandestine nature of this diasporic religiosity through the structure and design of the object. Enclosure and disclosure are sensitively transmitted through the visual and haptic experience of engagement."

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Edmund Clark

 

(Foreign Matter)